Dan Balmer
’80, Jazz Guitarist
Dan Balmer
has been infatuated with the guitar for as long
as he can remember. At the age of 7, he would
grab a tennis racket and pretend to play along
to the music of Paul Revere and the Raiders.
Graduating to the real thing, he says, was like
his redemption. “I was 11 years old when I got
my first guitar,” says Balmer. “That’s the day
my life took on new meaning.”
Balmer took
classical guitar lessons for about three years,
and went through high school playing the music
of Credence Clearwater Revival and the
Byrds. When he
graduated at 16, Lewis & Clark
College was the natural choice for him.

“I grew up on that
campus,” says Balmer, whose father, Don Balmer,
U.G. Dubach Professor Emeritus of Political
Science, taught at the College for 50 years. “Portland
had a good music scene and I wanted to stay
close to home, so Lewis & Clark was a good place
to be.”
Rather than
majoring in music, however, Balmer explored
another interest: economics. “Reality is
determined by economics,” says Balmer. “My econ
professors opened my eyes to a lot of things,
which is what college is supposed to do. I
learned about how the world works, and that’s
what informs your music.”
Balmer’s
interest in music continued to blossom in
college as he met new musicians on campus and
played in several ensembles. By the time he was
a senior, he was playing regularly with such
well-known jazz performers as Jim Pepper and
David Friesen. He also began teaching guitar at
the school in his senior year, something he
continues to do today.
At 23, Balmer
teamed up with jazz pianist Tom Grant, a
collaboration that lasted a decade and took him
on several nationwide tours. Balmer wrote many
of the band’s most popular songs, and in 1989,
he released his first solo recording,
Becoming
Became. The record met with high
praise, and he followed it with two more records
in 1990 and 1991. By the time the Portland Music
Association named him “Portland’s
best guitarist” in 1993, Balmer was ready to
strike out on his own full time.
“Reality is determined by economics,” says
Balmer. “My econ professors opened my eyes to a
lot of things, which is what college is supposed
to do. I learned about how the world works, and
that’s what informs your music.”
Today, in addition
to six CDs, Balmer has licensed original music
for movies, television shows, and commercials.
He teaches master classes up and down the West
Coast, from Alaska to California,
and recently taught one in Barcelona, Spain.
Although he loves all styles of music, he has
focused the bulk of his work on jazz. “That’s
where instrumental music really gets to achieve
the most expression and excellence,” he says.
For the last five
or six years, Balmer has cut back on performing
with his own band to make time to play with
other ensembles. As a committed “playing”
musician, he performs as many as 250 times a
year with some of the best ensembles in the
Northwest. “I love to play,” he says. “I love
the fact that every time you play, you might be
getting better. We’re on a constant growth path
as humans, and with each performance, we go down
that path a little bit farther. You can always
grow and get better.”