Past Artists-
Rodney Jones
( April, 2010)
What our
members had to say !
"Two things stood our for me: Rodney
went through his material in a very enjoyable,
fun, non-ego tripping kind of way. And his
talents as a player are every bit as strong as
his skills for teaching, two gifts that don't
always go hand in hand."
"Rodney was the most approachable teacher
we’ve had, who was able to easily translate
great ideas about ‘how things work’.
Although I was more intimidated than usual
by his experience and prowess, it had
nothing to do with his persona. He is a
very gifted and well rounded human being who
just happens to play guitar and is at the
top of his game. We have had some great
people up to help us along the path and I
don’t want to take anything away from them,
but I could easily spend a few years hanging
and studying with Rodney if he lived close
by."
"I really liked Rodney! His clinic was one of the best ever! Lots of
"real world" info that made sense right away.
He was a very funny guy, too! Great sense of
humor. I was also amazed by his seemingly
limitless chops. He could harmonize and
reharmonize at lightning speed and stay 100%
musical. He could also play incredible lines on
the outside of the harmony while maintaining a
strong connection to essense of the songl"
Rodney
Jones Clinic
April, 2010
Clinic: “What to learn in what order”
He started
playing guitar at age six, and
after moving to New York City at
age eight he began his first
formal lessons (folk chords).
Then he began to dive headlong
into the pop music of the day:
the Beatles, Jimi Hendrix, James
Brown, Sly Stone, the Ohio
Players, the Whispers, the
Moments. By age 14 he had
learned all the guitar parts in
JB’s tunes and joined a groove
band. At 17, he began to study
at the City College of New York
with pianist John Lewis, soon
after that linking up with
another pianist, Mingus alum
Jaki Byard. Other gigs followed
quickly thereafter: three years
on the road with Dizzy
Gillespie; recording dates with
drummer/band-leader Chico
Hamilton; and accompanying Lena
Horne, with whom his
relationship continues to this
day.
Over a decade ago, Jones linked
up with the James Brown legacy.
While teaching at Manhattan
School of Music (where he still
is a music professor), his
guitar services were sought by
the German-based Minor Music
label, which at the time was
championing JB horn players
Maceo Parker, Fred Wesley, and
Pee Wee Ellis and giving them
the opportunity to put their
jazz chops on display. Label
owner Stephan Meyner was looking
to enlist a guitarist for
Parker’s breakthrough disc
Roots Revisited (which also
featured Don Pullen, Bootsy
Collins, Wesley and Ellis).
Maceo’s nephew, who was studying
guitar at Manhattan, recommended
his teacher. Jones recalls,
“Playing with these guys who
were my heroes turned out to be
an out-of-the-body experience.
It was the realization of a
dream from many years ago.”
|